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dc.contributor.authorMichaïlesco, Céline
dc.date.accessioned2009-12-07T08:40:52Z
dc.date.available2009-12-07T08:40:52Z
dc.date.issued2006
dc.identifier.urihttps://basepub.dauphine.fr/handle/123456789/2619
dc.description.abstractfrFollowing the English example, a series of five Great Exhibitions have been held in Paris between 1855 and 1900. Unlike the British case, it was more difficult to gather financial contributions from private partners in France, so financial resources were alocated mainly by the French Government and the City of Paris and the use made of public funds had to be overlooked by codified rules and principles. These Great Exhibitions are held while the principles of public finances have just been defined. So these principles are applied in the financial organisation of these events in order to control the allocation and use of financial resources. The objective of this paper is to study the implementation of public finance principles in order to manage these exhibitions. Our research is based on documents of the National Archives of France and on official reports available at the Bibliothèque des Arts Décoratifs.en
dc.language.isoenen
dc.subjectPublic financeen
dc.subjectPublic sector accounting practiceen
dc.subjectAccounting historyen
dc.subjectGreat Exhibitionen
dc.subjectFranceen
dc.subject.ddc657en
dc.subject.classificationjelN73en
dc.subject.classificationjelM41en
dc.titlePublic finance and the administration of the Great Exhibitions held in Paris during the 19th centuryen
dc.typeCommunication / Conférence
dc.description.sponsorshipprivateouien
dc.subject.ddclabelContrôle de gestion Comptabilitéen
dc.relation.conftitle11ème congrès international des Historiens de la comptabilitéen
dc.relation.confdate2006-07
dc.relation.confcityNantesen
dc.relation.confcountryFranceen


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